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This issue of the journal resulted
from the project Cours, cours,
camarade, le vieux monde est
derrière toi—Run, comrade, run,
the old world is behind you—
The Cinema of Med Hondo
curated by Enoka Ayemba,
Marie-Hélène Gutberlet, and
Brigitta Kuster. The programme
aimed to raise awareness about
Med Hondo’s extraordinary
body of work, to stimulate its
appreciation, and thus contribute
to making it accessible for
future generations as well.
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